Questions from the viewpoint

No. A wide lens is useful when a meaningful foreground belongs in the frame. A normal or longer lens can simplify distant ridges. Choose the framing you need, not a lens category.

Allow enough time for a safe approach, composition and setup before the expected change in light. The right margin depends on the route, conditions and your experience. Scout unfamiliar approaches in daylight.

For a still scene on a stable tripod, base ISO and f/8 are reasonable test settings. Choose shutter speed for the light and movement, then inspect focus and highlights. They are not universal best settings.

Focus on meaningful detail at a distance that supports the required depth of field, then magnify the nearest important subject and the distant ridge. Do not assume infinity focus or a one-third rule will cover every scene.

Yes, when the available light and shutter speed support a sharp handheld exposure. Stabilise your stance, check the result and raise ISO if needed. A tripod is useful for long exposures and consistent sequences, but it must not obstruct others.

Roughly one third is a useful starting point, with more overlap for scenes that lack distinct features. Lock exposure, focus and white balance, and leave room for the final crop.

It can be. Soft light suits rock detail, wet surfaces and quieter compositions. Choose a safe, realistic plan and do not confuse dramatic weather with acceptable risk.

There is no universal slider limit. Check whether the edit supports the scene, preserves plausible light and avoids halos or damaged texture. Disclose substantial changes when presenting an image as a record of a real moment.

Consider the site's capacity, land-manager guidance and ecological sensitivity. A broad location may be more appropriate than precise coordinates. Never imply that a photograph grants permission to enter restricted ground.